
Prompt for the AI programme Gemini: ‘Use this photo [uploaded] to generate a creative Xmas card.’
It’s just an AI generated image, but it’s also an idle reflection on analogue and digital technologies, handmade images and digital craftsmanship.
Happy Christmas

(My personal seal for printing my name on formal documents. A unique identifier carved for me out of stone when I was in China – the ancient analogue equivalent of a QR code.)

Analogue and Digital Craftsmanship
This image has been around for over 50 years. The original photograph was taken in the mid 1970’s by R… aged about 7yrs. He used a Praktica SLR camera with 400 ASA, black and white, Tri-X film. This was developed and printed in the kitchen. E….’s cord trousers were custard yellow and came from Biba.
Forty years later the negative was digitised and early Adobe Photoshop was used to generate the positive image. Some years after that the image was again edited with Photoshop to sharpen, remove dust, repair, repaint and adjust tones. It was then printed out as an A3 (sepia) coloured print on an inkjet printer.
Finally, this year, the image (jpg) was uploaded as part of a prompt into Gemini (AI) which generated this distressed Xmas card edition, including the text. This is now published above – on this website. Oh, and the coloured lights were put in with a digital iPen using Procreate on an iPad.
Xmas puzzle: If you are a friendly passing art educator, you could reflect on how to ‘critique’ or assess this. What might be the criteria? I haven’t a clue. The idea for this year’s Xmas card came from work I have been doing about AI in art education (artteachingstuff.com). For more about AI and digital craftsmanship see my article in Futureminds.













